Author Sophie Puig

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Henri Foucault: photographer-sculptor, and vice versa

From April 4 to May 18, the Bigaignon Gallery devotes an exhibition to the work of Henri Foucault. Entitled "Le corps, infiniment" [Bodies, infinitely], it delves into the artist’s oeuvre with emphasis on bodies and body representation at the boundary between photography and sculpture.

02 May 2019 by Sophie Puig
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Scheltens & Abbenes’ poetic, pin-point compositions

The first major exhibition devoted to the Dutch artist duo Scheltens & Abbenes is on view at FOAM until June 5. Entitled Zeen, the retrospective covers their 18-year-long collaboration and brings together both commissioned work and personal projects, which reveal their obsession with composition and forms.

15 Apr 2019 by Sophie Puig
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Miles Aldridge’s aggressively witty mises-en-scène

Until May 4, the Christophe Guye Gallery (Zürich) is featuring the work of the British photographer Miles Aldridge. Entitled Screenprints, Polaroids and Drawings, it spotlights his work in the medium of silkscreen printing, some preparatory works, as well as a selection of his best-known pieces.

29 Mar 2019 by Sophie Puig

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Wim Wenders by Wim Wenders

From April 18 to 22, a visual installation designed by the filmmaker Wim Wenders will occupy the Nave of the Grand Palais. The exhibition curator, Jérôme Neutres, who came up with the idea, answers our questions.

12 Apr 2019 by Jean-baptiste Gauvin
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André Kertész’s windows

Until May 4, the Bruce Silverstein Gallery in New York showcases the series Window Views by one of photography’s pioneers, André Kertész. From the time he moved to the United States in 1952 until his death in 1985, the Hungarian photographer created contemplative images by photographing the view from his twelfth-floor apartment window in Washington Square.

17 Apr 2019 by Claire Debost
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Frida Kahlo in Brooklyn

The exhibition Frida Kahlo: Appearances Can Be Deceiving, which opened at the Brooklyn Museum in New York, is the largest retrospective of the Mexican artist to date.

04 Apr 2019 by Claire Debost